Story
Calligraphy has fascinated me since I was a child, so at the age of 6, I learned how to write the alphabet in calligraphy before learning how to write letters normally in school. My interest in calligraphy did not stop and it continued until I decided to pursue it more professionally after finishing my master’s degree in visual communication. I practiced Nasta’liq, broken Nasta’liq, Mohaghegh and Kofich for more than 20 years. I started calligraphy professionally in the summer of 1397 and I am still gaining experience and discovering this art. I love all calligraphy styles because of their unique form and beauty. But I chose the Kofi language as my main focus because of its ability to transform into visually beautiful abstract shapes. In most of my paintings, I get a general form by putting the letters together. In fact, each letter is a shape and a face, so that together they necessarily give the meaning of a word. But I also have boards that the text and text mean directly to the boards, along with the form and color used. In most of my paintings you can see integrated compositions and the use of geometric patterns in which letters (forms) are included.
vision
My goal was to achieve unity or association of different senses from the depths of shapes and angles with different compositions. I try to distance myself from the classic and usual compositions of screenplays. I want to display letters as forms in minimal and abstract formats so that viewers can see them as a form rather than letters and words. I use a variety of colors in my work. In fact, I try to avoid repeating certain colors in my work. Colors make me feel alive and I like to convey that feeling in my paintings. Of course, you can find minimal and monochrome paintings or with less color variation in my works, which also have their own charm and feeling.